The O.C. - The Complete Third Season
The O.C. - The Complete Third Season Review
The third season of The O.C. was a huge disappointment after the wildly successful first season and the pretty good second season. This year, the kids are seniors and college is on the horizon. Ryan romances a dull newcomer, acts like he's 40 years old, and has way too little screen time. Marissa, once the queen of Harbor School, goes to public school with some unsavory new friends. Summer and Seth spend most of their time bickering, as do Sandy and Kirsten. Only spunky Julie Cooper stays true to her character as she merrily copes with new-found poverty and an unexpected new love.
What made the show great in the beginning was seeing Ryan adjust to the Newpsies and the on-again, off-again romances of the "Core Four" and their parents. Sadly, this season that all took a back seat to tedious guest-star story arcs featuring unlikable and off-putting characters.
Even with all its shortcomings, though, this season is a must for OC fans and it does end in a surprisingly exciting finale. 3.5 stars.
The O.C. - The Complete Third Season Feature
The O.C. - The Complete Third Season Overview
Senior year. Prom. Graduation. College visits. Old friends. New problems. And plenty of Korean popstars. Ryan's savior complex becomes a recipe for disaster. Seth and Summer's relationship hits the rocks thanks to Seth's compulsion to edit the truth. As Kirsten attempts to put her life back together, Sandy assumes leadership of the Newport Group and finds himself the heir-apparent to Caleb Nichol's legacy of scandal. Marissa spirals out of control after little sis Kaitlin - a Julie Cooper in the making - returns home to stir the pot. And speaking of Julie Cooper, she's cast out of her Palace - into the slums of the OC.
DVD Features:
Music Video:Making of The Subways music video
Featurette:What's In a Name?
Featurette:From Script to Screen - The Party Favor
Gag Reel
Other:Pass The Remote - Scene surfing Commentary.
The O.C. - The Complete Third Season Specifications
Welcome to the dark side. At the end of The O.C.'s second season, Marissa (Mischa Barton) shoots the troubled Trey to stop him from strangling his brother, Ryan (Ben McKenzie). She saves her boyfriend's life, but it leads to her expulsion from Harbor High--just as she was to begin her senior year. Meanwhile, Ryan's guardian, Kirsten (Kelly Rowan), is doing time in rehab. It won't be easy for her to stay dry with two-faced resident Charlotte (Jeri Ryan, Shark) making every attempt to take advantage of her vulnerability. Ever the hothead, Ryan recovers in time to punch out the mean new dean (Eric Mabius, Ugly Betty), who expels him next. So, Kirsten's husband, Sandy (Peter Gallagher), hires a tutor, while Marissa attends public school where she falls in with the surfing crowd, including the besotted Johnny (Ryan Donowho). Arguably, Marissa's newly widowed mother, Julie (Melinda Clarke), is hit hardest when she finds that husband Caleb (Kirsten's father) didn't leave behind as much money as expected. Then the mansion is repossessed, and wild child Kaitlin (Willa Holland) returns from boarding school. And that's just the beginning of Julie's woes.
By the finale, two of these people will be gone forever, but it wouldn't be The O.C. if there weren't some bright spots along the way. College-bound couple Seth (Adam Brody) and Summer (Rachel Bilson) are still full of quips, the Tracy Flick-like Taylor (Autumn Reeser), who plays a bigger role in the next season, is a welcome addition, and the soundtrack is jam-packed with material from the likes of MIA, Gang of Four, Sufjan Stevens, Lady Sovereign, and the Subways, who appear in "The Anger Management." Sadly, this would be the last full season of The O.C. as only 16 episodes were produced for the fourth and final year. --Kathleen C. Fennessy
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Witchblade: The Complete Series [Blu-ray]
Witchblade: The Complete Series [Blu-ray] Review
"When I saw the pictures and the explanation of the story, I thought it was a coarser, scarier and darker anime. But once we started, I realized it had less violence and more heart." - Mie Sonozaki
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Before anything else, you need to understand the following: Witchblade is, first and foremost, a character-driven drama, rather than an action series. It has some fighting, yes, but the vast majority of the episodes are spent focusing on character development. Everything else comes a distant second. At first the suggestion is that it's going to be a The Devil Lady, 'monster of the week' type, but that isn't the case.
Whoever decided to market Witchblade as a violent, fan-service heavy title wasn't too bright. Likewise, the person who came up with the idea of taking the title of a popular American comic and then creating an entirely different story, with an all-new cast, didn't make the wisest of moves. By attempting to pass-off a slow-paced, heartfelt and very human drama as a generic action title with added boobs, all Gonzo achieved was getting the wrong type of viewers; pushing away the types who would appreciate a family drama about a mother loving her daughter with all her heart and being willing to do anything for her.
Judging the series based on the revealing Witchblade forms and boob sizes, it's hard not to expect an utterly tasteless anime. But you know what? Sex only occurs ONCE during the entire series, and NOTHING gets shown--the two involved kiss and then it's the morning after. That pretty much sums Witchblade up: there's a lot of cleavage but, that aside, Witchblade is surprisingly tasteful. In truth, there isn't even a huge amount of action once series gets past the introduction period.
:: Story :: 6/10
Six years prior to the start of Witchblade, Tokyo had been left devastated by a catastrophic earthquake. Two people were found alive at the ground zero of the quake: a 17-year-old woman (later named Masane; her having lost all of her pre-disaster memories) and a baby (Rihoko). Only the maternity diary held by the woman pointed towards them being related...
Once the series gets going, the two are heading back to Tokyo on the run; desperate to stay together and not be separated by the child welfare organization (created after the quake, to 'help' children). As jobless Masane struggles to keep Rihoko, she encounters the 'monster' responsible for a string of nasty murders, and that's when what had been sleeping within her for six years awakens--the power of the 'Witchblade'; something that has existed since the beginning of time, selecting its (female) hosts and forcing its hosts to give into their lust and destructive urges. Masane then gets caught between two organizations who seek the Witchblade, ending up working for one (Douji: a major weapons supplier) to support her life with Rihoko and hunted by the other (NSWF: in charge of the child welfare organization and with links to genetic research).
I'll be honest here: the story of Witchblade is full of anime silliness, ranging from fat men disguised as killer microwaves, genetic experiments, and women who use 'Cloneblades'--lesser, copied versions of the ever mysterious Witchblade. It's never explained why the weapons Masane hunts target random females, or why the Witchblade only selects women as 'hosts'... or what the Witchblade actually is. And I couldn't help but see most of the twists coming in advance; the writers actually intentionally spelling out how the series would end in order to impact on the viewers' feelings progressively rather than shock them.
While it does have a B-movie sort of entertainment factor in its favour, if I were to score Witchblade based only on its story, it wouldn't be very flattering... But this is where the negative ends because, like I've already pointed out at the start, the characters are where it's at. The story is no more than a means to an end; the backdrop for lots of excellent drama.
:: Characterization :: 9.5/10
Masane (nicknamed 'Melonie' because of her boob size!), the lead of the story, has nothing going for her apart from her six-year-old daughter, Rihoko. She isn't incredibly sharp, has no skills of note and, really, only has her love for her daughter. The child welfare organization try to separate them; Masane's ability to transform into a scantily-clad, sexulized version of herself (thanks to the mysterious Witchblade attached to her wrist) puts her in danger and powerful corporations involve her in their troubles, but, no matter what stands in her way, she fights to protect and give a better life to the one she loves the most.
Loud, simple-minded, direct type of characters tend to be hard to like and easy to hate, but Masane is very endearing. There are many simple things that made her into a likable character, such as when she went into a blind panic after learning that her daughter had been hurt; Masane ending up running out of her apartment barefoot. She's often called a primate by her 'boss', Takayama, because of how she acts without thinking and says what's on her mind, but that's what's so lovable about her: her honesty, maternal instincts and selflessness. It's little surprise that she eventually wins over even Takayama with her natural personality as the series progresses - she's just impossible to not like and respect.
The supporting cast backing up Masane aren't too shabby, either. Rihoko basically 'mothers' her own mother by shopping, cooking and caring for the more absent-minded Masane, and her being so mature at such a young age makes her have instant likability. Takayama plays the role of Masane's stern and somewhat awkward middle-aged boss, giving her orders to hunt down rogue 'weapons' for money, and it's his banter with her that provides much of the comic relief--the two later also becoming much closer; the writers doing a wonderful job of humanizing him and showing his softer, caring side as the series progresses. The rest of the cast are less developed and involved than the main three but all play important roles; the residents where Masane and Rihoko live, though never getting much time individually, are responsible for the 'family atmosphere' always being in the air during the more relaxing periods, for example.
:: Art / Animation + Sound:: 8.5/10
The first thing that made me think, 'Wow, Witchblade might not be so horrible, despite the title and fan-service!' was its opening. I watched/listened to the opening by chance, and as soon as I heard the fast-paced, exciting beat and saw the visuals that accompanied the music, which included a close-up of Masane's eye and a tear coming out of it, I just knew I had to watch it. The first opening is THAT good--even the 'GIVE ME YOUR XTC!!!' lyrics going with the show itself. Gonzo went on to regret changing it halfway through since they replaced the far less impressive second opening with the first for the final episode.
In terms of the overall art and animation, the best word to use when describing it is consistent. Why? Because Gonzo are known for running out of budget and forgetting to animate towards the end. That wasn't the case with Witchblade, though, since the final episode featured fluid animation; Gonzo not being reduced to showing movement through lines on the screen and actually showing the characters running. Aside from a few instances of laziness where there wasn't animation and a few stills were linked, it was great to watch. Even Japan's obsession with breast jiggling got attention throughout! And, though I can't say Masane's HUGE, could-suffocate-with-ease breasts appealed to me personally, overall the art did look pleasing.
As for the soundtrack, I have to say: it's excellent. One track that stands out is one used for action quite frequently; a track with an eerie edge and... a woman breathing in an 'erotic' manner in the background - the track having an action-oriented beat. I was ALWAYS pumped for the action - my attention focused - simply because of the music. Towards the end, I recall drums starting beating after what had been a nice 'family life' sort of episode, and I just knew some sweet action would be coming my way. If a soundtrack is good enough, it can make something great into something even greater, and that's the case with Witchblade.
:: Overall :: 9/10
Witchblade has its flaws: the story isn't anything special, Gonzo appeared to run out of ideas at the death and just ended it, and the near enough naked girl-on-girl battles might be off-putting for some. However, the good by far outweighs the bad, and the characterization is at such a level that, if you're anything like me, you won't give a toss. Once the introduction was over and time had been given for attachment to the characters to form, I was too engrossed in their struggles to concern myself with negative thoughts about a robotic monster with the head of a bug and the like.
To sum it all up: If you go into Witchblade expecting nothing, you might just get everything in return. It's always rewarding to find a gem, and in my eyes Witchblade is a gem that deserves to have more people look at it. Do yourself a favour and watch it!
Witchblade: The Complete Series [Blu-ray] Feature
Witchblade: The Complete Series [Blu-ray] Overview
The destiny of the Witchblade continues – in stunning high definition!
Sought by the greed of Men since the dawn of Humankind, but only bestowed upon the woman whose fate it forever scars – The Witchblade. Is it the Righteous Sword of God, of the Hand of the Devil Himself? Now a new bearer has been chosen and she must discover the answers for herself. As she stands on the brink of destiny, she is forced to seek the balance between ecstasy and ruin…
Masane Amaha is a woman on the fringe of society, bouncing rootless from town to town with her daughter, Rihoko. She struggles to build a life for her family, with no memory of the past and no clue as to what the future holds. But upon their arrival back in Tokyo forces conspire to separate parent from child, unleashing the fury of the Witchblade. The young mother will find herself conscripted into the service of the Doji Group and hunted down by the emissaries of the NSWF, all while seeking to balance the weight of this forced duality.
Witchblade: The Complete Series [Blu-ray] Specifications
The fan-service adventure Witchblade (2006) is another trans-Pacific hybrid: a Japanese TV series based on an American comic. Masane Amaha and her obnoxiously precocious daughter Rihoko were discovered amid the ruins after an earthquake devastated 22nd century Japan. During the disaster, she somehow acquired the sentient ultimate weapon, the Witchblade. When Masane comes near an X-Con, a prototype cyborg made by Douji Industries from human cadavers, the Witchblade causes her to morph into a fighting fiend--in an outfit Pamela Anderson might wear in a sequel to The Dark Knight. The Witchblade supposedly endows the wielder with "insatiable lust and unthinkable power," but Masane gets her exposed derrière kicked by women using Cloneblades, imitation Witchblades the Douji Group also created. Maria, the most powerful Cloneblader, emerges as a potential rival to Masane. When she decides to seize control of Douji Industries, the audience is left to wonder how and why she went from an undisciplined, infantile killer to a disciplined, mature killer. The inevitable duel between Masane and Maria atop Tokyo Tower suggests High Noon with implants. Masane triumphs over Maria and the power of the Witchblade in a finale that's simultaneously gory and mawkish. Although the convoluted plot stumbles along like Masane after a binge, Witchblade will delight adolescent boys who want to watch fights between overendowed, under-dressed babes. In an accompanying interview, character designer/executive animation director Makoto Uno says, "We added a devilish element to the physical beauty of women and animated them with particular attention to the breasts and butt." No kidding. (Rated TV MA, suitable for ages 16 and older: violence, violence against women, grotesque imagery, risqué humor, alcohol and tobacco use) --Charles Solomon
Stills from Witchblade (Click for larger image)
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Final Fantasy VII: Advent Children Complete [Blu-ray]
Final Fantasy VII: Advent Children Complete [Blu-ray] Review
Others have remarked on how this movie would be confusing to someone who's not familiar with the Final Fantasy VII video game. As one who first watched this movie in that state, I'll offer my comments on both `before' and `after' impressions. I've been a long time fan of both science fiction/fantasy and animated movies. Four or five years ago I watched "Final Flight of the Osiris" a CGI video short on a dvd called Animatrix. I was so impressed by it that I looked for other work by the same artists and found "Final Fantasy: the Spirits Within", and the original dvd version of "Final Fantasy: Advent Children". "Spirits Within" had phenomenal and imaginative imagery and some gripping scenes but overall it didn't have a `spark'. "Advent Children" though was another matter. I fell in love with it. The characters are terrific; the graphics are awesome; the settings fresh and some quite beautiful; the action is out-there. The dystopic science fiction setting and elements of magical fantasy were very satisfying as a fan of those genres. And it has some nice wit and humor. But yeah, the story was confusing. Being as innocent as I was though of the story that led up to the movie, I was in a state of not knowing how much I didn't know, so I didn't miss it. I enjoyed the movie so much I watched it a couple more times over the next few years.
It wasn't until surfing the internet this summer, coming across the movie's protagonist, Cloud Strife, by chance and reading about him that I became aware of the huge story world behind "Advent Children". I soon learned that Cloud is a renowned character among gamers, as is his enemy Sephiroth; that Final Fantasy VII is regarded as groundbreaking and one of the best video games ever; and that there's a massive amount of verbiage on the internet about both the characters and the game. The more I read, the more I was drawn in. I read complete synopses of the game and bios of its characters and - branching out to its prequel Crisis Core - watched all 3 hours of cutscenes from that video game in 10 minute Youtube segments. Then I watched "Advent Children" again, knowing that the first few times around, I'd been watching it through a dim fog. This time it all seemed to be in focus. I knew what the glowing round spheres were. I knew who the secondary characters were and how they connected. I knew why the city of Midgar was in ruins. My enjoyment of the movie was substantially enhanced, so much so that I was left wanting more. The only solution was to play the game itself.
This took me a bit of self-convincing, since I'm old enough to be Cloud's grandmother and hadn't finished a video game since Zork Nemesis, but I took the plunge. I just finished it a few nights ago. And I agree that the game is everything it's cracked up to be. But I know this is a review about the movie, not the game. I'm leading up to how much more still having played the game adds to the pleasure of the movie. I watched the movie again last night, and this time I watched the blu ray extended version. Of course I expected it to be better this time around what with the added minutes, the increased clarity of the blu ray format, and the much deeper understanding I'd gained from the game itself, but the movie STILL exceeded my expectations. The additional footage is a great improvement, from tiny little insertions to some complete new scenes, they're all worthwhile. Some serve to fill in story and character development, others add even more wow to the over-the-top action sequences. The blu ray clarity makes these quite a bit easier to follow. And now having played the game, I understood even more than I'd expected about what takes place in the movie that I'd not recognized before - Sephiroth's tragic background and what took place between him and Cloud; why Cloud camps out in the church; Aerith's huge significance. And Zack! I was delighted to see more of Zack, who's an awesome character in his own right. He deserves his own movie. I was surprised by the impact of the music this time. It derives from the game, and strongly evokes the game's themes, from battles to uneasy exploration, to Aerith's warmth and Sephiroth's sinister terrificness. This time around, the characters, their friendships and animosities and traumas were much deeper for me. The interconnected FFVII stories are more like a tv series than a single movie or book in the amount of time one spends on, or `in', them, and as with a really good tv series, I found I'd come to really care about the characters. A lot of excellent creativity and effort was put in to Advent Children. Considering its limited prime audience, it's a grand gift from Square Enix to FFVII's fans. I'm glad it's been successful for them, and very happy they put the effort in to making this new "Complete" edition. Sure it helped to sell blu-ray playing PS3s and generate interest in the FFVII PS3 download, which is what I played. But they did a great job. They have my appreciation. I think Tetsuya Nomura's sense of character and story is genius.
In summary, I recommend this movie to anyone who's curious about it, especially if you have a fondness for epic sci-fi fantasy action adventure romance. It hits on all cylinders (ok, the romance part is mostly in the games). But "FFVII:Advent Children" also has thought provoking currents underlying its save-the-world plot, the personal challenges faced by its characters and its sensational, adrenaline stirring action and battle scenes - the tradeoffs of degrading our environment in return for energy; the use of a soulless corporation as an excuse for committing atrocious acts; the importance of friends. The depiction of Mako energy and the lifestream as having a healing/destructive duality also intrigues me, especially as there's a similar 'planet force' depicted in some of Hiyao Miyazake's animated movies, which I also adore. In this extended version of "Advent Children", Reno asks how a person could ever manage to atone for the horror brought about by the Shinra Corporation (which occurred during the game), and there's mention of the destroyed Mako reactor still emitting too much lifestream energy to be safe. I can't help but wonder if this is a conscious or unconscious reference to nuclear energy, also both beneficial and hugely destructive, and if it comes up in these Japanese stories because Japan's the only country in the world to have been exposed to a nuclear attack. Then there's the whole question of Jenova and what she represents. That FFVII has this depth and breadth (which you can take or leave as desired) helps make it an A+ story for me.
If you're already a FFVII fan who by some chance hasn't learned of this movie already, I doubt you need much further encouragement to watch it. If you aren't familiar with the game, I do recommend reading a summary of it and the characters beforehand. With video games now rivaling movies for entertainment dollars, it's worth learning about the game if only for its `historic' value. But the game stories are well worth it on their own terms, and do enhance the movie. I also recommend watching the movie in Japanese with English subtitles. Sometimes in dubbing, the translation has to be altered in order to fit the spoken words into the character's visible speaking time, and clarity or nuance can be lost. And the Japanese voice acting here is superb. I find that despite my knowledge of Japanese extending no further than 'hai' and 'arrigoto', the tone and inflection of the voice actors' portrayals, especially Cloud's, adds greatly to the characters' presentation. And, compared with my memory of the dvd version, the English sub translations have been improved in the 'Complete' edition.
Yes, this movie is escapist entertainment, but it's also deeply satisfying. My only consolation in being done now with the game and having again watched the movie is that there are several more Final Fantasy games yet to play.
Final Fantasy VII: Advent Children Complete [Blu-ray] Feature
- "Legacy of Final Fantasy VII" Featurette
- "Reminiscence of Final Fantasy VII" Original Story Digest
- On the Way to a Smile - Episode: Denzel Animated Film
- Exclusive Sneak Peek at Final Fantasy XIII
- Final Fantasy VII: Advent Children Complete Trailers
Final Fantasy VII: Advent Children Complete [Blu-ray] Overview
Continuing the storyline based on the hit Playstation® game Final Fantasy VII, two years have passed since the ruins of Midgar stand as a testament to the sacrifices made in order to bring peace. However, the world will soon face a new menace. A mysterious illness is spreading fast. Old enemies are astir. And Cloud, who walked away from the life of a hero to live in solitude, must step forward yet again . . .
Final Fantasy VII: Advent Children Complete [Blu-ray] Specifications
The question facing any viewer of the Japanese CG feature Final Fantasy VII: Advent Children is: do you have to know the games on which it’s based in order to understand the film? And the answer is: it certainly helps. But even complete novices (i.e., most parents) in the Final Fantasy world will find some entertainment in its wealth of fantasy-based action, and the animation never fails to astonish. Picking up two years after an epic battle between the forces of good (represented by brooding soldier Cloud) and evil (Cloud’s former general, Sephiroth), FFVII opens in the devastated city of Midgard, whose youthful occupants suffer from a ghastly disease known as Geostigma. A trio of brothers arrives with what appears to be a cure for the plague, but their gesture conceals a more sinister purpose: to revive Sephiroth and bring about the end of the world. Cloud and his companions must once again rise to the occasion to stop the siblings and the revived Sephiroth from unleashing total destruction. Complex and self-referential to the point of occasional incomprehension, Final Fantasy VII will definitely be most appreciated by fans of the game series, but if others can look past the numbing dialogue and frenetic action (which is a bit too intense for very young children), the film offers a carefree and action-packed viewing experience. The two-disc set contains the original Japanese language version of the film as well as an English-dubbed edition (Rachel Leigh Cook and Christy Carlson Romano, among others, provide the vocal talent) and a version edited for the Venice Film Festival. A 30-minute featurette that recaps the Final Fantasy story up to VII, as well as a making-of documentary, deleted scenes, and promotions for future Final Fantasy VII games and products round out the extras. --Paul Gaita
Stills from Final Fantasy VII: Advent Children (click for larger image)
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Final Fantasy VII: Advent Children (Limted Edition Collector's Set)
Final Fantasy VII: Advent Children(Limted Edition Collector's Set) includes: • Theatrical Trailers • Bonus Script • Bonus Book • Bonus Postcards
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Avatar - The Last Airbender: The Complete Book 3 Collection
Avatar - The Last Airbender: The Complete Book 3 Collection Review
The first season of "Avatar: The Last Airbender" was a welcome surprise with its memorable characters and stunning animation. The second season maintained the same elements (pun intended) while advancing the plot. With the shocking season finale and the knowledge that "Book 3: Fire" would be the final season, the question now was would the creative team manage to end the series on a high note? As before, the answer is an overwhelming yes.
"Book 3" picks up a month after the Season 2 finale. The city of Ba Sing Se has been conquered, the Earth Kingdom has fallen to the Fire Nation, and the Avatar is believed to have been killed in action.
But there is still hope. Aang is still alive and the military intelligence Team Avatar recovered in "Book 2" has given them a window of opportunity. While their allies prepare to launch last-ditch invasion of the Fire Nation, Aang and company undertake a risky mission to infiltrate enemy territory ahead of the main strike force.
Meanwhile, Prince Zuko has returned home after three years of exile. His goals have been achieved: he at last has the Firelord's approval and his honor has been restored. Yet, Zuko is a haunted young man. He is haunted by his betrayal of Uncle Iroh at Ba Sing Se. He is haunted by the knowledge of the atrocities he witnessed across the Earth Kingdom, of the damage inflicted by his country upon the rest of the world. Has he truly reclaimed his honor or is his road to redemption still incomplete? And at the center of it all, Firelord Ozai awaits the imminent arrival of Sozin's Comet, the weapon that will allow him to achieve dominion over the world.
Swords will clash and the elements will be bent as the outcome of the War and the fate of the world lies in the hands of Aang and his friends.
The concluding chapter of the "Avatar" saga is on par with the first two seasons. The creative team manages to bring the story to a spectacular conclusion with their usual combination of excellent animation, music, and voice-acting. Anyone who liked "Book 1" and "Book 2" will not be disappointed.
Avatar - The Last Airbender: The Complete Book 3 Collection Feature
Avatar - The Last Airbender: The Complete Book 3 Collection Overview
Studio: Paramount Home Video Release Date: 09/16/2008
Avatar - The Last Airbender: The Complete Book 3 Collection Specifications
Book 3: Fire, Vol. 1Avatar the Last Airbender: Book 3, Volume 1 is a slightly unusual suite of episodes in the Avatar canon, as the majority of programs are even more comical than usual. Not that the five shows included on this disc lack seriousness: the long-running series now finds young Aang (the once and future avatar destined to reunite the world’s four estranged nations) and his traveling companions behind enemy lines in the Fire Nation, disguised as colonists. In "Awakening," Aang arises--with a surprising headful of dark hair--from several weeks of unconsciousness (due to the injuries he sustained during a battle for Ba Sing Se) aboard a captured Fire Nation warship. Though he finds old friends Sokka, Toph, and Katara nearby, all urging him not to take matters in his own hands, Aang ultimately feels compelled to go head-to-head with the Fire Lord before he is ready. The result forces Aang and the others to remain incognito, setting up subsequent episodes in which the heroes are forced to lay low and find something else to do with their time besides fight adversaries. In "The Headband," Aang enrolls in a Fire Nation school, where his eyes are opened to such ordinary experiences as dealing with a campus bully and getting a hard time from strict teachers. In "The Painted Lady," Aang, Sokka, Katara, and Toph visit an impoverished fishing village and have to repress their typical instinct to help lest they be recognized as outsiders. (An alternative is found.) "Sokka’s Master," in some ways the most enjoyable episode here, finds Sokka feeling useless because he doesn’t possess powers similar to his mates. His solution: talk a master swordsman into taking him on as an apprentice. Finally, the most unexpected story in this collection is "The Beach," in which Prince Zuko, Azula, Mai, and Ty Lee--all of whom are back in the Fire Nation, too--take an awkward holiday but end up learning a lot about one another.
Meanwhile, Zuko--following his extended banishment from the Fire Nation--discovers that his father welcoming again, but only because his manipulative sister, Princess Azula, has falsely told everyone that Zuko killed Aang. Fearing that his father will disown him again, Zuko chooses not to tell the truth and works on having Aang quietly assassinated. Where Zuko had been more of a complete human being during his exile, he’s back to being a monster again, going so far as to keep his dutiful uncle, Iroh, in a dark, dank prison. --Tom Keogh
Book 3: Fire, Vol. 2Avatar the Last Airbender: Book 3--Fire, Volume 2 finds the series closing in on a long-awaited day of reckoning with the fire nation. The five episodes on this disc continue those chapters on Volume 1 in which Aang--the young avatar--and his companions Katara, Toph, and Sokka live undercover in the fire nation, awaiting the moment when an alliance of warriors from the air, water, and earth nations converge to overtake the conquering firebenders once and for all. On Volume 2, the path to the day of battle, in typical Avatar fashion, is full of misadventures and intrigue, but also sundry revelations that make the pending series climax that much more interesting. "The Avatar and the Firelord" is the backstory of how the fire nation leader came to be a brutal tyrant in the world. Turns out he was the best friend of none other than the previous avatar; the souring of their relationship led to the troubles young Aang is trying to resolve. (While Aang is finding all this out, the fire nation’s Prince Zuko discovers his ancestry is more complicated than he’d imagined, and that he has more of a role to play in ending the war waged by his people.) "The Runaway" is a comedy about mischievous Toph getting into trouble for using her earthbending powers to win bets and make a lot of money. "The Puppetmaster" is a scary story featuring a waterbending old woman who initially enchants Katara, but then later is revealed to be a vengeful monster with terrifying abilities to control people’s bodies. "Nightmares and Daydreams" concerns an anxious Aang unable to sleep and stop hallucinating prior to the coming battle, while part one of "The Day of Black Sun" sees the beginning of the allies’ invasion of the fire nation. Lots of surprises in this last episode, with a cliffhanger ending that makes the next volume of Avatar most desirable. --Tom Keogh
Book 3: Fire, Vol. 3 At the beginning of Avatar the Last Airbender: Book 3 Fire, Vol. 3, things don't go quite the way one would have hoped at the end of Vol. 2. Aang--the young avatar--and his companions Katara, Toph, and Sokka were part of a major assault on the tyrannical fire nation, and hopes of victory were high. In "The Day of Black Sun, Part 2: The Eclipse," however, circumstances reverse the heroes' fortunes, forcing Aang, his friends and the very youngest warriors to flee the battle. As they regroup at the Western Air Temple, mourning the expected imprisonment of the adults left behind, Aang comes face to face with an unexpected, would-be ally: Zuko, prince of the fire nation. Sokka and Katara refuse to accept Zuko's guarantee that he is truly on their side (they've been through this before), but Toph and Aang are a little more receptive to the idea. Good thing. In "The Firebending Masters," Aang accepts that Zuko could be the firebending mentor he needs to show him how to conquer the most elusive of the four elements. But it isn't easy: Zuko loses his power and must retreat to a fire nation temple, where he can learn the origins of his native gift. The set of five stories on this disc concludes with the two-part "The Boiling Rock," in which Sokka and Zuko infiltrate a fire nation maximum security prison in hopes of freeing Sokka's father. Trying hard to stay clandestine, Zuko's identity is revealed anyway, jeopardizing not only the mission but Zuko and Sokka's very freedom. The excitement is endless in the long-running Avatar series, and developments (especially Zuko's acceptance by Aang and the others) are as heartening as they are surprising. --Tom Keogh
Book 3: Fire, Vol. 4 The long-running series Avatar the Last Airbender comes to a dazzling conclusion in Book 3 Fire, Volume 4. Poised for quite a number of episodes (seen in previous volumes) to go to war against the tyrannical Fire Nation, Aang the young Avatar and his cohorts must now bring down the Fire Lord and his army, or watch them ramp up their destructive powers during an imminent solar eclipse. But there's a lingering question only Aang can answer: can the Avatar, who has never killed anyone, bring himself to take the Fire Lord's life? That is what he must do, according to Zuko, the Fire Prince who has thrown in his lot with Aang and the latter's friends.
While Aang is sorting that out--receiving various wisdoms from past Avatars and advice from a giant turtle-lion creature--Zuko and Katara take another leg of the battle by confronting Zuko's crazed sister. Meanwhile, Sokka re-asserts his latent talent for commanding dangerous missions as he and earth-bender Toph attempt to sabotage Fire Nation airships. The final episodes on this disc are thrilling, in no small part because they have been so long in arriving. Before those, however, there are a couple of interesting chapters to get through, including "The Southern Raiders," in which Katara attempts to exact revenge for the disappearance of her mother. As always, there's some comic relief, in this case "The Ember Island Players," in which our heroes experience the ignominy of watching some of their previous adventures become a ridiculous, staged play. --Tom Keogh
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ER: The Complete Tenth Season
ER: The Complete Tenth Season Review
This is my favorite season BECAUSE of the Africa storyline.... I too liked the idea of Abby and Carter together, but then we met Kem, and I liked it even more! I loved all the episodes about Africa and the music that was included in them... If I dont end up buying all the seasons I will definitely buy this one. Good stuff!
ER: The Complete Tenth Season Feature
- ISBN13: 0883929049783
- Condition: NEW
- Notes: Brand New from Publisher. No Remainder Mark.
ER: The Complete Tenth Season Overview
Studio: Warner Home Video Release Date: 03/03/2009
ER: The Complete Tenth Season Specifications
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C.S.I. Crime Scene Investigation: The Complete Ninth Season
C.S.I. Crime Scene Investigation: The Complete Ninth Season Review
After some rather soapy seasons (who's in mortal danger THIS season?!?!?!), season 9 seems to have gotten CSI back on the crime-solving track. Like many, I was fearful that William Peterson's departure would be the death-knell of the series and a number of desperate attempts to save the series would begin (like someone's long-lost hot cousin moving in, or a 14 year old savant joins the crime-solving force), but it was in the end a rather smooth transition. Marg Helgenberger's character (CSI Willows) steps up ably as the new leader of the evening shift, former day shift supervisor Conrad Ecklie (Mark Vann) is now an under-sheriff, and darn it, he's even likable now! Fishburne's character develops a collegial relationship with Doc Robbins (Robert D. Hall), the ME, and is an interesting, convincing and engaging addition to the cast. Although various character quirks among all the cast continue to emerge (and it is a good thing , it gives them multi-dimensionality), they do not overwhelm the main thrust of the series: catching bad guys, no matter how cleverly they try to cover their nefarious deeds. The cases are as varied as ever, and the writing approached in a manner that combines the best aspects of being responsible to the facts and science of each endeavor, yet maintains the right amount of dramatic license to keep things moving in a believable manner. If you've been following the series, you already know this, if you let it go for perhaps some of the same reasons I nearly gave up on it, then Season 9 is worth looking at and renewing your acquaintance with this terrific show. If you're new to CSI, I do strongly recommend starting at the beginning but you could certainly watch season 9 on its own and enjoy it a great deal.
C.S.I. Crime Scene Investigation: The Complete Ninth Season Feature
C.S.I. Crime Scene Investigation: The Complete Ninth Season Overview
Genre: Television: Series
Rating: TV14
Release Date: 1-SEP-2009
Media Type: DVD
C.S.I. Crime Scene Investigation: The Complete Ninth Season Specifications
Stills from CSI: Season Nine (Click for larger image)
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The Sopranos - The Complete Series
The Sopranos - The Complete Series Review
This is a statement about the product packaging. There's enough written about the series, here. This is absolutely the most outstanding DVD set I've ever seen. I must weight five pounds. The box is massively heavy; it is packaged tight, wrapped in multiple layers of protection; the DVDs are in what looks similar to a photo album of very heavy, thick cardboard with a nice cover. The DVDs are nicely positioned on each page in tight pockets. Super, super job, people.
It sure beats the hell out of the garbage I got when I bought the Northern Exposure series.
10 Stars on the whole deal, the series and the DVD product! Thank you for doing the job to perfection! Finally, a studio that takes great pride in their work!
The Sopranos - The Complete Series Feature
- For six seasons, fans have devotedly watched Tony Sopranos deal with the difficulties of balancing his home life with the criminal organization he leads. Audiences everywhere tuned in to see the mob, the food, the family, and who was next to be whacked. Celebrate the show that Vanity Fair called, "the greatest show in TV history", in the ultimate Sopranos collector's edition. Format: DVD MOVIE
The Sopranos - The Complete Series Overview
Studio: Hbo Home Video Release Date: 11/11/2008
The Sopranos - The Complete Series Specifications
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The Real Ghostbusters: Complete Collection
The Real Ghostbusters: Complete Collection Review
I've owned this Real Ghostbusters set now since November 2008 and watched all 25 discs in the spring of 2009. I would like to preface my review by saying that I am a huge 80s cartoon collector and this set is by far the nicest in its overall design that I own. The set is a compact collection and fits ever so nicely on a bookshelf - it's about five regular dvd cases wide. If you own the Shout! Factory G.I. Joe and Transformers Complete Sets it is nothing near the size of those beasts. Some may actually look at the RGB set and exclaim how small it is. As soon as I opened it in November 2008 I know I did, because back then I had paid over a 0 for it - "I paid 0 for this little thing!" At first glance it didn't seem worth the coin but as I started to view the collection, and upon finishing it in May of 2009, I can tell you it was worth every penny. And now here you can get it for 3, free shipping, and no tax in some states! This price almost temps me to buy another to keep sealed and have place in a bank deposit!
What you get:
The set includes all 147 episodes of The Real Ghostbusters (which include all episodes from Slimer! And The Real Ghostbusters) on 24 dvds - 5 dvds each in cases 1-4 and 4 dvds in case 5 and then there is the bonus 25th dvd in a cardboard cd-type sleeve w/ artwork. Each "case" is a very nice steelbook case with clear dvd tray inserts so you can see the artwork on the inner-back-side of the steelbook. Steelbooks are very strong and I believe are made from some sort of aluminum but with plastic dvd tray inserts. The disc art is basically the same for each case - the four Ghostbusters on the first 4 dvds per case and then Slimer or Janine (or both) on the 5th dvd, and this is repeated but with different background colors for each case.
The episodes are supposed to be restored and uncut. I've seen nothing to dispute the latter, but the former is suspect. These Real Ghostbusters episodes, picture-wise, are some of the worst I own, except maybe Transformers. Each episode has a lot of snap, crackle and pop, grain and some times the colors are wonky. If you've ever watched BCI's He-Man or Shout's GI Joe set and are expecting that type of picture....I'm sorry. But, truly, I don't mind. The look really brings you back to the 80s and gives off that 80s feel. And just to throw this out - I run my cartoons via a 360, over HDMI, into a Samsung 46" 1080p LCD - this may factor into what I'm seeing. I guess I just feel that Time-LIFE was misleading when they marketed the set as "restored". However, maybe they looked much worse and they were truly restored. Also, some of the episodes have audio that either runs slightly too fast or slightly too slow and this may drive some fans nuts. And I didn't find one episode that had glitches either.
MISC:
Over 12 hours of bonus features are peppered throughout the set but the actual bonus disc is a treat. The bonus dvd has the original promotional pilot for The Real Ghostbusters - this thing is about 4-5 minutes long and was used to sell the show in a boardroom. I believe the disc has all of the interviews (found throughout the set) uncut here as well - J. Michael Straczynski (creator - Babylon 5) is probably the most well known and most entertaining to watch.
In the set there are 21 on-camera commentary tracks with producers, voice actors, writers, animators and production personnel, 5 exclusive documentaries, 86 episode introductions (that are down-right goofy - Straczynski's are the best though), and the set comes with, depending on how you count pages, a 48-page booklet that includes episode synopses, trivia and art for every episode. There is some minor fluff too but it's not a worth mention.
Pros:
You get every episode of The Real Ghostbusters and Slimer! And The Real Ghostbusters, uncut, in one sturdy, compact box-set that takes up little room in your dvd collection but adds great value. The bonus material is more than a fan could ever want and then some, and can be downright overwhelming at times, especially if you watched the video commentary too.
Cons:
If I were Time-LIFE, and if money and time were not a factor, I would have really tried to have the episodes cleaned up better (has anyone seen the Shout! Factory G.I. Joe Complete Set...WOW!), and have the audio correct on those episodes that have an audio-speed issue. The other thing I would change is the disc's cover art. I know why the disc art is the way it is, because Time-LIFE wants to sell each volume (case) individually, but I think it would have been awesome for the complete set if there was special disc art with a prominent/sub character having their own disc. Here's my list - a Peter Venkman disc, Egon Spengler disc, Ray Stantz, Winston Zeddemore, Janine Melnitz, Louis Tully, Slimer, Walter Peck, Stay Puft, Sandman, Samhain, Cathulhu, Boogieman, Grundel, Boogaloo, Ghostmaster, Ghash (Mr. Ugly), Furnace Monster, Precious, Wat, Toy Ghost, Killerwatt, Morganan, Professor Dweeb and the bonus disc would just have the logo.
Overall, this is a must have for Real Ghostbusters fans. Period.
The Real Ghostbusters: Complete Collection Feature
- Brand new and sealed.
The Real Ghostbusters: Complete Collection Overview
Studio: Wea-des Moines Video Release Date: 09/29/2009
The Real Ghostbusters: Complete Collection Specifications
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Frasier - The Complete Tenth Season
Frasier - The Complete Tenth Season Review
Despite what some might say, this season is pretty darn good, of course, I love them all. It completed my collection. But all Frasiers are great, beginning to end. Perhaps the parking garage episode is the only annoying one, but in a funny way.
Frasier - The Complete Tenth Season Feature
Frasier - The Complete Tenth Season Overview
Kelsey Grammer ("Cheers") stars as Dr. Frasier Crane a successful Boston psychiatrist who moved to Seattle to get a fresh start on life. He has his own radio talk show which he uses to relay his wit and wisdom for others. At times he struggles with his own neuroses from his family and friends though often he does not take his own advice. This half-hour comedy showcases the humourous ways Frasier deals with life and how his family and friends follow suit.System Requirements:Run Time: 528 minutes Genre: CHILDREN/FAMILY UPC: 097361225647
Frasier - The Complete Tenth Season Specifications
"Irritating, but endearing." That's Frasier Crane in a nutshell, as diagnosed by Julia Wilcox (an Emmy-worthy Felicity Huffman), KCAL's abrasive and condescending new financial analyst. That's a delicate balance, but Kelsey Grammer still manages it with the usual aplomb in Frasier's penultimate season. Grammer is at his best when his character is at his stubborn, high dudgeon worst, as in "Enemy at the Gate" when he causes a parking garage backup while protesting a parking fee, trying to find a suitable new coffee shop after Café Nervosa hires a folk singer (Elvis Costello) in "Farewell, Nervosa," or, after scamming his way into becoming a silver level member at an exclusive health spa, "chasing the eternal carrot" of the gold level ("'Please remain in the relaxation grotto.' Have crueler words ever been spoken?") in "Door Jam." But he wins us over anew as he does the hard-hearted Julia with his insistence on doing the right thing and faith in the good in people.
Frasier's tenth season takes a dramatic turn early on with a three-episode arc in which Niles (David Hyde Pierce) undergoes heart surgery, but, much like Niles, the show rebounds quickly with more characteristic episodes such as the Emmy-nominated farce "Daphne Does Dinner," in which another Crane party hurtles toward disaster. In addition to Huffman, other memorable star turns this season include Millicent Martin as Daphne's impossible mother, Jeanne Tripplehorn as a coach whose berating of her students causes Frasier to conjure up hallucinations of his own former gym teacher, portrayed by Bob Hoskins. Bebe Neuwirth returns as Lilith, as does the magnificent Harriet Sansom Harris as Bebe Glazer, who shows up as Dr. Phil's agent (or is it just another Bebe scheme?) in "The Devil and Dr. Phil." There are throughout this season some wonderful play-it-again moments, such as the unwitting Frasier speaking Klingon at his son's bar mitzvah and invoking Sam Malone's classic, "Are you as turned on as I am" to bring a shouting match with Julia to an hilarious anti-climax ("No!" she screams disgustedly). A showdown between Roz (Peri Gilpin) and Julia doesn't make for the most compelling season finale, but because season 11 was previously released on DVD to coincide with the broadcast of the series finale, at least we don't have to wait to see how that turns out. --Donald Liebenson
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Shelley Duvall's Faerie Tale Theatre: The Complete Collection
Shelley Duvall's Faerie Tale Theatre: The Complete Collection Review
My Granddaughter just loves this DVD and she is 3. There is enough adult humor to keep everyone entertained! We adults even watch it alone so we
aren't interrupted by "child's play".
Shelley Duvall's Faerie Tale Theatre: The Complete Collection Feature
Shelley Duvall's Faerie Tale Theatre: The Complete Collection Overview
This award-winning series produced by shelley duvall brings to life 26 classic fairy tales in one star-powered critically acclaimed collection. Also includes story book and game. Studio: Koch International Release Date: 09/02/2008 Run time: 1326 minutes
Shelley Duvall's Faerie Tale Theatre: The Complete Collection Specifications
One of the first gems of the cable TV age, Faerie Tale Theatre brings 26 classic tales to life. Produced over a five-year span (1982-87) for Showtime, FTT brought together creative dramatics and whimsical writing with some of the top talents of the day. Executive producer/host Shelley Duvall (who was coming off her breakout role in The Shining) shepherds this mix of theatrical simplicity and grand storytelling for these oft-told tales ("Goldilocks and the Three Bears," "Little Red Riding Hood," "Hansel and Gretel," "Sleeping Beauty," and the like) for kids and their parents. Since they are not elaborately produced, FTT may be a hard sell for some smaller members of the family at first, but most should be hooked, even older kids who may pooh-pooh fairy tales. There's always a slight twist that makes these productions fresh. The cast is amazing, especially when you think how lightly cable television was thought of in the '80s: Jeff Bridges, Bud Cort, Liza Minnelli, James Coburn, Susan Sarandon, Christopher Reeve, Klaus Kinski, Billy Crystal, Matthew Broderick, Gregory Hines, Eric Idle, Robin Williams, and Mick Jagger are some of the talented--and varied--actors appearing. Crystal's take on the smart "Little Pig" (with Jeff Goldblum as the wolf) and Williams's "Frog Prince" are two comic gems. Malcolm McDowell, right in the middle of his career high-point of playing baddies, brings flair to the Big Bad Wolf, while his then-real-life wife Mary Steenburgen beautifully counterpoints as Red Riding Hood. The casting of Vincent Price and Vanessa Redgrave in "Snow White" is inspired. Also impressive are the directors Duvall pooled: Tim Burton ("Aladdin and His Wonderful Lamp"), Francis Ford Coppola ("Rip Van Winkle") Peter Medak (three episodes), Nicholas Meyer ("Pied Piper"), and Roger Vadim ("Beauty and the Beast"). You can go on for days about these wonderful tales, most totaling around the 45-minute mark, but it's better just to get the set and start wherever you'd like; you will get to the end sooner than you think. --Doug Thomas
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